All in "Travel Camera"
A Camera to Travel

In my last post I ranted and raved about how photographers can be so divisive and sometimes downright unpleasant (to put it mildly) about other peoples choices when buying into a camera system. I argued that there are no really bad cameras on the market today but that some cameras are better suited to particular photographic tasks than others. I am sure that you agree with me... that is until I write that the system you use is not my favorite. Then I instantly become some ignorant hack filling the internet with pages of mindless drivel. Nevertheless, I'm going to explore some of the issues related to cameras for use in travel photography and I'm also going to nail my colors to the flag post and explain the specific choices that I have made regarding the photography on display on this site. Let me seal the bunker door, put on my flack jacket. helmet, grab my trusted FN 7.62 and begin...

First, out of all the recognized genera of photography, travel photography must be the hardest to define. I mean we all know what is meant when people talk about landscape photography, or street, food, portrait and documentary photography. Travel photography can be all these otherwise distinct things and much more. How do you define travel photography? In addition is the issue of what the photographs are being taken for. A person wanting some lovely photographs to remember their holiday will have very different requirements to a professional putting together material for an exhibition. Irrespective of these and other issues, I believe that travel photography should leave the viewer feeling that they have been somewhere themselves, and that great travel photography should make people wish that they could go there... hopefully even move them to arranging their own visit. Nothing, and I mean nothing, gives me greater satisfaction than when I get an email from someone who's viewed my images and emailed me for advice on planing their own trip to Vietnam.

Anyway, back to the topic. Due to the vast variety of possible subject matter when you travel to a new destination with your camera, it's essential that you have a lens selection capable of meeting a wide range of demands. On the other hand, most people don't want to carry around a heavy bag with two bodies, seven lenses, two flashes, spare batteries and a laptop. Oh, and don't forget the tripod. You might laugh, but for many years this is exactly what I did. In fact, before the advent of digital photography it was even worse. My gear in those days consisted of two Pentax 67 bodies, a Fuji 617 panoramic camera and what felt like 600 kilos of lenses. Obviously I was younger, fitter and a lot more stupid. The principle remains, however. decide what you think you are likely to shoot the most and select the appropriate lens or lenses.

For many a single super-zoom might be the perfect answer or maybe a long kit lens with a variable aperture. The advantage of this is that it eliminates the need for extra lenses and leaves the photographer with a more upmarket kind of point-and-shoot system which can cover most eventualities well enough. Improving on this might be a two lens selection. For example, a mid-range zoom like a 24-70 provides adequate wide to almost portrait possibilities. Then add to this a second lens that best meets your interests. This could be anything from an ultra wide angle for a landscape photographer or a telephoto lens for wildlife, sports or details. A 70-200 is not a small lens, but many manufactures offer an f/4 version which is both cheaper and lighter. At a push this can be combined with a small tele-converter which adds range with very little loss of image quality. For many years after switching to digital this is pretty much what I did. I carried a Fujifilm body with a Nikon F mount and the Nikon 14-24 and 24-70. For my needs this was a perfect combination. On some trips I would also take a 70-200, but even then I rarely used it. Having said that, a camera body and the 'holy trinity' of lenses isn't a crazy amount to carry and will fit into an average shoulder bay or small backpack quite easily. There can be no doubt that with a set up like this you would be ready for anything and everything your travels present you with. Modern technology has, however, presented us with another choice, and maybe a more difficult one.

Should the travel photographer carry a DSLR or mirrorless system? I am very aware that many people are asking this question, but I'm going to duck it. well, not really. What I will say, is that if you have already invested in a DSLR body and lenses, you should probably stick with them for now. Maybe, if you're a Canikon shooter you can think about changing to mirrorless next time you want to upgrade your body. You can still use your current lenses with the native built mount adapters, and you won't have to replace your entire system at one time. Did you notice what I've just done? I've suggested that no travel photographer would want to replace his or her present DSLR body with another. The future is mirrorless! You might disagree with me, and that's fine, but as someone who spends over half the year away from home and carrying almost all his kit everywhere he goes, you won't get me to change my mind. To be honest with you, for me the biggest advantage of going mirrorless is not the smaller and lighter system, although make no mistake I really feel and appreciate the difference. No, what I enjoy the most are the other advantages of mirrorless systems. A 3.69 million dot 'what-you-see-is-what-you-get' EVF is a game-changer for me. In many culturally sensitive situations a totally silent shutter also  allows me to make photographs that I could never have created before. I could go on, but yeah! That's right. I'm one of them.

I mentioned earlier that I used to shoot Fujifilm bodies with Nikon glass. The day eventually came when my fourth or fifth S5Pro body finally gave up the ghost and I just couldn't find another. They had been out of production for some time and I think I'd already bought all the remaining ones in Vietnam. So i switched. No, not to mirrorless. At that time the few mirrorless offerings on the market were laughable wannabee cameras. I bought the Nikon D800E. Wow! What a camera. I though that I'd died and gone to camera heaven. That was eventually relegated to back-up status and I got the D810. Bigger wow! The problem was when the time came to upgrade to the D850. In my opinion it is probably the best DSLR that has ever been produced, but I couldn't do it. I genuinely wanted to, but I just couldn't bring myself to purchase it. I'd been seduced. Some would say I'd lost my mind, but I hadn't. I'd lost my heart. I sold or gave away everything I had... and bought a Fujifilm X-T3. And that is the point of this whole story. The best camera is not always the best camera. It's the camera that enables you to take the best photographs you can take in the specific situations you shoot. Kugara zvakanaka!

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